Visiting Artists | 2018

David Gatten
Spring,  
2018

Over the last 19 years, David Gatten (b. 1971, Ann Arbor, Michigan) has explored the intersection of the printed word and moving image. His body of work illuminates a wide array of historical, conceptual and material concerns, while cataloging the variety of ways in which texts function in cinema as both language and image, often blurring the boundary between these categories. 

Erin Johnson
Spring,  
2018

Erin Johnson is a feminist, transdisciplinary artist and curator who creates video and sound pieces, performances, and social practice works. She holds a MFA and Certificate in New Media from U.C. Berkeley and is currently a Visiting Assistant Professor of Art at Bowdoin College. 

Geoff Dyer
Spring,  
2018

Geoff Dyer was born in Cheltenham, England, in 1958. He is the author of four novels, and the genre-defying But BeautifulThe Ongoing Moment, The Missing of the SommeOut of Sheer Rage, Yoga for People Who Can’t Be Bothered To Do It, and Zona, about Andrei Tarkovsky’s film Stalker.

Kevin Jerome Everson
Spring,  
2018

With a sense of place and historical research, Kevin Jerome Everson films combine scripted and documentary moments with rich elements of formalism. The subject matter is the gestures or tasks caused by certain conditions in the lives of working class African Americans and other people of African descent.

Nathaniel Dorsky
Spring,  
2018

Nathaniel Dorsky, born in New York City in 1943, is an experimental filmmaker and film editor who has been making films since 1963. He has resided in San Francisco since 1971.

Ruxandra Guidi
Spring,  
2018

Ruxandra Guidi has almost two decades of experience telling stories in public radio, magazines, and multimedia, and has reported throughout the United States, the Caribbean, South and Central America, as well as Mexico and the U.S.-Mexico border region.

Sam Stephenson
Spring,  
2018

Sam Stephenson is a writer and documentarian that grew up in Washington, North Carolina. In addition to his books, Sam has written for The New York Times, The Paris Review, Tin House, among others, and is the founder of Rock Fish Stew.

Steve Cossman
Spring,  
2018

Steve Cossman is founder and director of Mono No Aware; a nonprofit cinema arts organization whose annual event exhibits the work of contemporary artists who incorporate live film projections and altered light as part of a performance, sculpture or installation. In 2010 the organization established a series of analog filmmaking workshops and an in-person screening series entitled Connectivity Through Cinema. 

Adam Khalil
Fall,  
2018

Adam Shingwak Khalil (Ojibway) is a filmmaker and artist. His practice attempts to subvert traditional forms of ethnography through humor, relation, and transgression. Adam's work has been exhibited at UnionDocs, e-flux, and Maysles Cinema.. Khalil is a UnionDocs Collaborative Fellow and Gates Millennium Scholar. In 2011 he graduated from the Film and Electronic Arts program at Bard College.

Chi-hui Yang
Fall,  
2018

Chi-hui Yang, curator, film scholar, and educator, makes grants in film, new media, and visual storytelling for the Ford Foundation's JustFilms program. Chi-hui is president of the Flaherty Film Seminar’s board of trustees and an advisory board member of the Firelight Media Producers’ Lab. He earned a master’s degree in film studies from San Francisco State University and a bachelor’s degree in political science from Stanford.

Ephraim Asili
Fall,  
2018

Ephraim Asili is a Filmmaker, DJ, and Traveler whose work focuses on the African diaspora as a cultural force. His films have screened in the New York Film Festival, Toronto International Film Festival, and Ann Arbor Film Festival.  As a DJ, Asili can be heard on In The Cut on WGXC, or at his monthly dance party Botanica. Asili is a Professor in the Film and Electronic Arts Department at Bard College.

Euphus Ruth
Fall,  
2018

Euphus Ruth, Jr was born in Texas but raised in Bruce, Mississippi from age two. He is a photographer living in the Mississippi Delta focusing exclusively on wet collodion and film processes, from visualizing the image through the ground glass to the final print or plate in the darkroom or mobile darkbox. 

Helga Fanderl
Fall,  
2018

Helga Fanderl was born in Germany in 1947 and wanted to be a poet. She studied, and then taught, language and literature, before discovering that film was the appropriate medium for her artistic expression. She has created a body of work consisting of 1000 short films, shot in Super8 with no postproduction, that she draws from for her screenings. She constructs her own programs for each occasion & venue, and presents them in person. 

Jeff Silva
Fall,  
2018

Jeff Silva is a filmmaker, teacher and film programmer originally from Boston. A long-time affiliate of the Sensory Ethnography Lab at Harvard University, Jeff helped develop its curriculum and methodology at its inception while a teaching fellow aside founder Lucien Castaing-Taylor. In 2000 he co-founded BALAGAN, an the offbeat and alternative micro-cinema screening series in Boston that continues to present marginalized films to the community.

Jing Niu
Fall,  
2018

As an immigrant filmmaker who grew up in the American South, Jing Niu (MFA|EDA '14) shot her first film on 16mm with a Bolex camera, which went on to screen at experimental film festivals across the world. Her autobiographic film DEPARTING toured prestigious art museums in the South, in an exhibit with the likes of Andy Warhol and Carrie Mae Weems. Currently based in Los Angeles, Jing spends her time creating films that dismantle the model-minority myth by featuring independent female Asian protagonists. 

Jon-Sesrie Goff
Fall,  
2018

Jon-Sesrie Goff (MFA|EDA '16)  is a multidisciplinary artist, curator, and Executive Director of The Flaherty. With over 15 years experience in media and film production, Jon's projects span many genres including Out in the Night and Evolution of a Criminal. Jon served as the first Museum Specialist for Film at the Smithsonian’s National Museum of African American History & Culture and has served on juries for International Film Festival Rotterdam, Black Star Film Festival, the Environmental Film Festival in the Nation’s Capital (DCEFF), and CinemAfrica Film Festival (Stockholm, Sweden). 

Renée Stout
Fall,  
2018

Renee Stout grew up in Pittsburgh, and received her BFA from Carnegie Mellon University. She looks to the belief systems of African peoples and their descendants throughout the African Diaspora, as well as to the world and her immediate environment, for the inspiration to create works that encourage self-examination, self-empowerment and self-healing.

Sky Hopinka
Fall,  
2018

Sky Hopinka (Ho-Chunk/Pechanga) was born and raised in Ferndale, Washington and spent a number of years in Palm Springs and Riverside, California, Portland, Oregon, Milwaukee, WI, and is currently based out of Cambridge, Massachusetts.  In Portland he studied and taught chinuk wawa, a language indigenous to the Lower Columbia River Basin.

Vic Rawlings
Fall,  
2018

Vic Rawlings is a musician, instrument builder, sound installation artist, filmmaker, and teacher based in western Massachusetts.

Zack Khalil
Fall,  
2018

Zack Khalil (Ojibway) is a filmmaker and artist from Sault Ste. Marie, Michigan, currently based in Brooklyn, NY. His work often explores an indigenous worldview and undermines traditional forms of historical authority through the excavation of alternative histories and the use of innovative documentary forms. He recently completed a B.A. at Bard College in the Film and Electronic Arts Department.