Laia Abril (1986) is a research-based artist working across photography, text, video, and sound, focusing on biopolitics and gender issues. Her work is rooted in a politically engaged, process-driven methodology that employs strategies of forensic aesthetics and counter-narratives, interrogating dominant histories and the politics of representation.
Her work has been exhibited in over 25 countries and is held in collections such as Centre Pompidou, Photo Elysée, Fotomuseum Winterthur, MACBA, Reina Sofía, MNAC, and the V&A Museum. She has authored acclaimed books, including The Epilogue, Lobismuller, and the A History of Misogyny series: On Abortion, On Rape, and On Mass Hysteria.
She has received the Foam Paul Huf Award (Amsterdam), RPS Hood Medal (London), Aperture Best Book Award (NY/Paris), and Spain’s National Photography Award. Based in Switzerland, she is a senior lecturer at HSLU and is represented by Les Filles du Calvaire in Paris and Set Espai d’Art in Spain.