Professor of the Practice in the Sanford School of Public Policy
Alex Harris has photographed extensively in the American South, New Mexico, Alaska, and Cuba. His work is represented in major collections including The San Francisco Museum of Modern Art, The J. Paul Getty Museum in Los Angeles, The Museum of Modern Art in New York, The High Museum of Art in Atlanta, The North Carolina Museum of Art, and the Metropolitan Museum of Art.
His awards include a Guggenheim Fellowship in Photography, a Rockefeller Foundation Humanities Fellowship, and a Lyndhurst Prize. His photographs have been exhibited in numerous museums including two solo exhibitions at the International Center of Photography in New York. As a photographer and editor, Harris has published fifteen books including River of Traps (with William deBuys) a finalist for the Pulitzer Prize in general non-fiction. His book, [The Idea of Cuba,](http://cdsbooks.org/The-Idea-of-Cuba) was co-published in September of 2007 by the University of New Mexico Press and the Center for Documentary Studies at Duke. His most recent book, [Why We Are Here](http://books.wwnorton.com/books/978-0-87140-470-1/), a collaboration with E.O.Wilson, was published in 2012 by Liveright/Norton.
Harris was born in Atlanta, Ga., and grew up in the South. After graduation from Yale in 1971, he photographed North Carolina as part of a Duke University research project. Between 1972 and 1978 he lived and photographed in Hispanic villages in northern New Mexico and Eskimo villages in Alaska. During these years, Harris also began to commute to North Carolina to teach documentary photography at Duke.
In 1980 he founded the Center for Documentary Photography at Duke, which he directed for eight years. In 1989, he was a founder of [The Center for Documentary Studies at Duke](http://cds.aas.duke.edu/). Between 1995 and 1998 Harris launched DoubleTake Magazine with Robert Coles and coedited the publication through its first twelve issues. He is currently Professor of the Practice of Public Policy and Documentary Studies at Duke. Within the Center for Documentary Studies, he is the Creative Director of the [Lewis Hine Documentary Fellows Program](http://cds.aas.duke.edu/hine).
One photograph. Visual artist. (1983)
A Celebration of Grandfathers. Performing artist. (1983)
Aperture #81. Visual artist. (1978)
Cover photograph and series of Eskimo photographs within the issue accompanying text by Robert Coles
Nouvel Observateur/Social Photo. Visual artist. (1978)
Accompanying text by George Bernard Shaw
I Shall Save One Land Unvisited. Visual artist. (1978)
The American Poetry Review. Performing artist. (1977)
(November-December 1977) (cover photograph and seven Eskimo photographs accompanying text by Robert Coles.)
Photography Within the Humanities. Visual artist. (1977)
Twilight at the Taft. Visual artist. (1971)
In Yale Alumni magazine, photographic essay with text