Professor of the Practice in the Sanford School of Public Policy
Alex Harris has photographed extensively in the American South, New Mexico, Alaska, and Cuba. His work is represented in major collections including The San Francisco Museum of Modern Art, The J. Paul Getty Museum in Los Angeles, The Museum of Modern Art in New York, The High Museum of Art in Atlanta, The North Carolina Museum of Art, and the Metropolitan Museum of Art.
His awards include a Guggenheim Fellowship in Photography, a Rockefeller Foundation Humanities Fellowship, and a Lyndhurst Prize. His photographs have been exhibited in numerous museums including two solo exhibitions at the International Center of Photography in New York. As a photographer and editor, Harris has published fifteen books including River of Traps (with William deBuys) a finalist for the Pulitzer Prize in general non-fiction. His book, [The Idea of Cuba,](http://cdsbooks.org/The-Idea-of-Cuba) was co-published in September of 2007 by the University of New Mexico Press and the Center for Documentary Studies at Duke. His most recent book, [Why We Are Here](http://books.wwnorton.com/books/978-0-87140-470-1/), a collaboration with E.O.Wilson, was published in 2012 by Liveright/Norton.
Harris was born in Atlanta, Ga., and grew up in the South. After graduation from Yale in 1971, he photographed North Carolina as part of a Duke University research project. Between 1972 and 1978 he lived and photographed in Hispanic villages in northern New Mexico and Eskimo villages in Alaska. During these years, Harris also began to commute to North Carolina to teach documentary photography at Duke.
In 1980 he founded the Center for Documentary Photography at Duke, which he directed for eight years. In 1989, he was a founder of [The Center for Documentary Studies at Duke](http://cds.aas.duke.edu/). Between 1995 and 1998 Harris launched DoubleTake Magazine with Robert Coles and coedited the publication through its first twelve issues. He is currently Professor of the Practice of Public Policy and Documentary Studies at Duke. Within the Center for Documentary Studies, he is the Creative Director of the [Lewis Hine Documentary Fellows Program](http://cds.aas.duke.edu/hine).
Hope Photographs, by Alice Rose George and Lee Marks. Visual artist. (1998)
Perpetual Mirage: Photographic Narratives of the Desert West. Visual artist. (1996)
Published in association with an exhibition at the Whitney Museum of American Art, New York edited by May Castleberry.
Place Of The Pretend People, by Carolyn Kremers. Visual artist. (1996)
Cover photograph, Alaska Northwest Books
Lectures, Photography Exhibit Explore Dislocation, Upheaval" by Robert Pincus. Visual artist. (1996)
A review of Transition/Dislocation a group show including twenty color photographs by Alex Harris of northern New Mexico, Cleveland Center for Contemporary Art, Cleveland, Ohio.
The Christ Haunted Landscape by Susan Ketchin. Visual artist. (1994)
The Photograph and the American Indian by Alfred Bush. Visual artist. (1994)
Endpaper section photograph and text. Visual artist. (1993)
In The Chronicle of Higher Education
Artists of 20th Century New Mexico: The Museum of Fine Arts Collections. Performing artist. (1992)
Our Town. Visual artist. (1992)
For photographs with text by Richard Ford, Aperture #127
The Human Portrait, by Whiteford/Friedl. Visual artist. (1991)