Richard J. Powell
John Spencer Bassett Professor of Art and Art History, in Trinity College of Arts and Sciences
Richard J. Powell is Dean of the Humanities and the John Spencer Bassett Professor of Art & Art History at Duke University, where he has taught since 1989. He studied at Morehouse College and Howard University before earning his doctorate in art history at Yale University. Along with teaching courses in American art, the arts of the African Diaspora, and contemporary visual studies, he has written extensively on topics ranging from primitivism to postmodernism, including such titles as Homecoming: The Art and Life of William H. Johnson (1991), Black Art: A Cultural History (1997 & 2002), and Cutting a Figure: Fashioning Black Portraiture (2008).
Membership. American Academy of Arts and Sciences. October 2018
Distinguished Scholar Session. College Art Association. February 2016
Powell, RJ. African American Art: Harlem Renaissance, Civil Rights Era and Beyond. Washington, DC: Smithsonian American Art Museum, 2012.
Powell, RJ. Ras Ishi/Secret Diaries. Miller Publishing Company, Ltd., 2009.
Powell, RJ. Who Am I in This Picture? Amherst College Portraits. Amherst College, 2009.
Powell, RJ. Cutting a Figure: Fashioning Black Portraiture. University of Chicago Press, 2008.
Powell, RJ. Circle Dance: The Art of John T. Scott. Jackson, MS: University Press of Mississippi, 2005. (Exhibition Catalog)
Powell, RJ. Black Art: A Cultural History. London: Thames and Hudson, Ltd., 2002.
Powell, RJ. Beauford Delaney: The Color Yellow. Atlanta: High Museum of Art, 2002. (Exhibition Catalog)
Powell, RJ. To Conserve a Legacy: American Art from Historically Black Colleges and Universities. Cambridge, MA: MIT Press, 1999. (Exhibition Catalog)
Powell, RJ. Jacob Lawrence. New York: Rizzoli International Publications, Inc., 1992.
Powell, RJ. Homecoming: The Art and Life of William H. Johnson. New York: W. W. Norton, 1991.
Powell, RJ. "Probability Theory: David Hammons's Money Tree." Open This End: Contemporary Art from the Collection of Blake Byrne. Ed. Joseph R. Wolin. Los Angeles, CA: The Skylark Foundation, 2015. 42-49. (Essay)
Powell, RJ. ""Dem Shoes": Thomas Hart Benton's Romance." American Epics: Thomas Hart Benton and Hollywood. Ed. A Bailly. Munich: Delmonico Books - Prestel, 2015. 83-87. (Essay)
Powell, RJ. "Walking on Water: Embodiment, Abstraction, and Black Visuality." Represent: 200 Years of African American Art in the Philadelphia Museum of Art. Ed. Gwendolyn DuBois Shaw. Philadelphia, PA, 2014. 1-19.
Powell, RJ. "New Negroes, Harlem, and Jazz (1900-1950)." The image of the black in western art. Ed. D Bindman and HL Gates. Cambridge, MA: Harvard University Press, 2014. 53-104. (Chapter)
Powell, RJ. ""Foreword: Augustus Saint-Gaudens’ Devotional Memorial"." Tell It with Pride: The 54th Massachusetts Regiment and Augustus Saint-Gaudens’ Shaw Memorial. Ed. S Greenough and N Anderson. Yale University Press, 2013. xv-185.
Powell, RJ. ""Herein Lie Buried Many Things: Screens, Entryways and Cabinets in Twentieth-Century Black Visual Discourse"." African American Art: Harlem Renaissance, Civil Rights Era and Beyond. Washington, DC: Smithsonian American Art Museum, 2012. 12-33.
Powell, RJ. ""Tanner and Transcendence"." Henry Ossawa Tanner: Modern Spirit. Ed. AO Marley. Berkeley: University of California Press, 2012. 56-65.
Powell, RJ. ""From Diaspora to Exile: Black Women Artists in 1960s and 1970s Europe"." The Migrant’s Time: Rethinking Art History and Diaspora. Ed. S Mathur. Sterling and Francine Clark Institute, 2011. 78-90.
Powell, RJ. ""The Woodshed"." Romare Bearden: American Modernist. Ed. R Fine and J Francis. National Gallery of Art, 2011. 200-2006.
Powell, RJ. ""Trembling Vistas, Primal Youth: William H. Johnson’s Painterly Expressionism, 1927-1935" & "Devotion and Disrepute: William H. Johnson’s Florence, South Carolina Paintings, circa 1944"." William H. Johnson: An American Modern. University of Washington Press, 2011. 22-101.
Powell, RJ. "Rechercher et imaginer l’art « black » américain depuis 2005." Perspective 2 (December 31, 2015): 81-94. Full Text Open Access Copy
Powell, RJ. "Emancipation and the Freed in American Sculpture." ART BULLETIN 95.4 (December 2013): 646-649.
Powell, RJ. "Freeman Henry Morris Murray: Emancipation and the Freed in American Sculpture." The Art Bulletin 95 (December 2013): 646-649.
Powell, RJ. "The Woodshed." STUDIES IN THE HISTORY OF ART 71 (2011): 199-206.
Powell, RJ. "'Paint That Thing!' Aaron Douglas's Call to Modernism." American Studies 46 (2010): 107-119.
Powell, RJ. "The Picturesque, Miss Nottage and the Caribbean Sublime." Small Axe: A Caribbean Journal of Criticism 25 (February 2008): 157-168.
Powell, RJ. "PAINT IN THE NAME OF LOVE." INTERNATIONAL REVIEW OF AFRICAN AMERICAN ART 22.2 (2008): 64-65.
Powell, RJ. "Linguists, Poets, and ‘Others’ on African American Art." American Art 17 (March 2003): 16-19. (Academic Article)
Powell, RJ. "Appreciation. Jacob Lawrence: Keep on Movin’." American Art 15 (March 2001): 90-93. (Academic Article)
Powell, RJ. "On Alain Locke and James Porter." Hatch-Billops Collection, Inc./Artist and Influence 11 (1998): 1-8.
Archibald Motley: Jazz Age Modernist. Curator. (2014)
Sonia Boyce: Crop Over. Curator. (2011)
Embodied: African American Images in Contemporary Art. Creator. (2010)
"Embodied: African American Images in Contemporary Art", September, 2010, David C. Driskell Center, University of Maryland, College Park, MD
Circle Dance: The Art of John T. Scott. Creator. (2005)
Back to Black: Art, Cinema and the Racial Imaginary. Curator. (2005)
Back to Black: Art, Cinema and the Racial Imaginary, 2005, Whitechapel Art Gallery, London, England & Walsall Art Gallery, Birmingham, England
Beauford Delaney: The Color Yellow. Curator. (2002)
30 page manuscript and recorded narration of the virtual exhibition tour (at http://www.africana.com)
Rhapsodies in Black: Music and Words from the Harlem Renaissance. Consultant, Curator. (2000)
10 page manuscript, essay, and â€œcreative consultantâ€ for a CD box set, Rhino Records R2 79874